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Appendix E: Remote Video
Software Version 3.05
E-5
If you choose the Encore’s Main monitor as the source for the Remote Video,
then you will be able to see an exact replica of the display on the console’s
Main monitor, including the Command Line, Status Bar, and all the latest
information in the current Main monitor display. The display on the Remote
Video changes simultaneously with any display changes or edits executed on
the Main monitor at the console. Assigning the Main monitor as the source for
the Remote Video can be very helpful during technical and dress rehearsals
when the lighting designer needs to sit in the house and still have access to
specific lighting information.
If you choose the Auxiliary monitor as the source for the Remote Video, you
will see the display currently assigned to the console’s Auxiliary monitor.
When the Remote Video source is the Auxiliary monitor, changes in the Main
monitor display will be reflected on the Remote monitor if they are updated
information that is pertinent to the current Auxiliary display. The Auxiliary
monitor does not display a Command Line, so you cannot view commands on
your remote monitor while in this mode. Choosing the Auxiliary monitor as
the source is helpful when the only information you require is available on one
display, such as the Playback display. The stage manager may find it helpful to
always have access to the current status of lighting cues and their progress, as
well as submaster types and levels, no matter what displays are being chosen at
the console.
Remote Video Displays
The displays available to your Remote Video are dependent on your source.
The displays available from a Main monitor source are:
?? Stage display ?? Playback display
?? Preview display ?? Patch display
?? Group display ?? Patch: Parked Dimmers subdisplay
?? Submaster display ?? Patch: Non-Dim Dimmers subdisplay
?? Effects display ?? Profile Editor subdisplay
?? Cuesheet display ?? Setup display
?? Tracksheet display
The displays available from an Auxiliary monitor source are:
?? Stage display ?? Cuesheet display
?? Preview display ?? Tracksheet display
?? Group display ?? Playback display
?? Submaster display ?? Patch display
?? Effect display ?? Profile Editor subdisplay
- Table of Contents 1
- PART IV: APPENDICES 219 6
- About The Encore 7
- Encore Model 9
- Encore Model 24/48 9
- Encore Models XL and XL/2 9
- About This Manual 11
- About the User Guide 12
- About the Reference Section 13
- About the Appendices 13
- Software Version 3.05 15
- CHAPTER 1: 17
- Setting Up 17
- Your Console 17
- Step 5: Worklights 19
- CHAPTER 2: 25
- Basic Console Conventions 25
- Console Controls 27
- Display Keys 29
- Macro Keys 29
- Hard Keys vs. Soft Keys 29
- Command Line and Its Syntax 30
- Command Line History 31
- Grandmaster Fader 32
- Blackout Switch 32
- Console Memory 34
- Record Disk / Load Disk 34
- Chapter 13, Memory 35
- CHAPTER 3: 37
- Displays 37
- Changing Displays 40
- Default Items 40
- (a live display) 44
- (a blind display) 48
- (a blind configuration 72
- CHAPTER 4: 75
- Console System Setup 75
- System Setup 76
- Show Name 76
- Selecting Dimmer Protocol 78
- Hand Held Remote 78
- MIDI Interface 79
- CHAPTER 5: 81
- Patch Displays 82
- Other Patch Display Modes 84
- Patching Channels to Dimmers 85
- Default Dimmer or Channel 86
- Patch 1 To 1 88
- CHAPTER 6: 91
- Setting Channel Levels 91
- Crossfader Time* 93
- Keypad Commands 94
- Channel Lists 94
- Captured Channels 95
- Wheel Control 97
- Remainder Dim Command 99
- CHAPTER 7: 101
- Basic Submaster Operation 101
- Normal Submaster 102
- Record Sub Command 102
- Creating Subs Blind 103
- Bump Buttons 104
- Timed Submasters 106
- Submaster Profiles 106
- CHAPTER 8: 109
- Creating and 109
- Recording Cues 109
- Cue Time 110
- Manual Cues 110
- Cue Numbering 111
- Record Cue Command 112
- Selective Recording 113
- Creating Cues Blind 114
- CHAPTER 9: 115
- Playing Back Cues 115
- Stop/Reverse Key 116
- Playback Faders 117
- Playback Fader Boxes 118
- Grandmaster Fader Box 118
- Manual Fades 119
- Take Control Buttons 119
- Go To Cue Command 123
- Commands 124
- CHAPTER 10: 129
- Editing Cues and 129
- Using Track Modes 129
- Selecting the Track Mode 130
- Tracking Levels 131
- Hard and Soft Zeros 132
- Different Track Modes 134
- Track Modes 137
- (Restoring Tracking Levels) 141
- Moving (Renumbering) Cues in 144
- In cue 3.1: 145
- In cue 4: 145
- CHAPTER 11: 149
- Show and Disk File Names 151
- Reference By Name 152
- CHAPTER 12: 155
- Flash Command Utility 156
- Dimmer Check Utility 157
- Channel Check Utility 157
- Cue Check Utility 158
- Warnings and Error Messages 158
- Printers 160
- Printing 161
- CHAPTER 13: 163
- Clearing Memory 164
- Performing a “Hard Clear” 164
- System Settings in Memory 165
- Recording to a Floppy Disk 166
- Upgrading Software 172
- CHAPTER 14: 175
- Recalling Groups 176
- Copying Groups 176
- Renumbering Groups 177
- Deleting Groups 178
- CHAPTER 15: 179
- Effects 179
- Creating Effects 180
- Creating Effect Steps 180
- Timing and Levels 181
- Effect Patterns 183
- Testing an Effect 184
- Editing Steps 187
- Copying Steps 187
- Renumbering Steps 188
- Deleting Steps 188
- Inserting Steps 189
- Effect Utilities 189
- Copying Effects 190
- Renumbering Effects 190
- Deleting Effects 190
- CHAPTER 16: 193
- Advanced Channel 193
- CHAPTER 17: 199
- Advanced Submaster 199
- Operation 199
- Inhibitive Submaster 200
- Changing Modes 203
- CHAPTER 18: 205
- Profiles 205
- Profile Editor Subdisplay 206
- Fade Points 207
- Fix Range 207
- Profile Utilities 209
- Early Rise 210
- Late Rise 210
- Filament Pre-heat 210
- Cold Cathode 210
- CHAPTER 19: 211
- Advanced Cues 211
- Delay Time 212
- Split Fades 213
- Cue Profiles 214
- Cue Macros 215
- Cue Names 215
- Cue Links 216
- Link Returns 216
- Link Repetitions 217
- Figure 19.5, Cue Link Loop 219
- Multipart Cues 222
- Creating Multipart Cues 223
- Viewing Multipart Cues 225
- Playback of Multipart Cues 226
- Assigning Effects to Cues 227
- CHAPTER 20: 229
- Advanced Patching 229
- Options 229
- Parking Dimmers 231
- Viewing Parked Dimmers 234
- Uses for Parked Dimmers 235
- Automated Channels 236
- CHAPTER 21: 237
- Macro Paging 239
- Viewing Macros 240
- CHAPTER 22: 241
- Controlling Fade 241
- with the Wheel 241
- Changing Cue Effect Rates 243
- CHAPTER 23: 245
- Load Key Operations 245
- Range Loading 246
- Loading Cues to Submasters 247
- Loading Groups to Submasters 247
- CHAPTER 24: 251
- Selective Recording 251
- Items (Updating) 252
- APPENDIX A: 255
- Maintenance and 255
- Customer Service 255
- Memory Test 256
- APPENDIX C: 261
- Hand Held Remote 261
- Functions 262
- APPENDIX D: 267
- MIDI Interface 267
- Enabling MIDI 268
- Using Standard MIDI Messages 269
- Testing the MIDI Ports 275
- APPENDIX E: 277
- ColorNet™ Remote Video 277
- System Wiring 279
- Remote Video Displays 281
- Channel Formatting 283
- APPENDIX F: 285
- Encore Console 285
- Specifications 285
- Environmental 286
- Standards Compliance 286
- Power Requirements 286
- APPENDIX G: 287
- Auxiliary Monitor 287
- (Dual Video Option) 287
- Auxiliary Monitor Displays 288
- User Guide Index 289
- User Guide Index 291
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